The problems of fragmentation and confusion that exist within more traditional art practices, such as painting and sculpture (in the broadest possible milieu) are mirrored in new art practices. Within these technological and new media categories, diverse concepts and imagery has been lumped together to form a hodgepodge of non-related methodologies and artworks.
What is this direction?
The meshing together of processes, unrelated imagery and the breaking down of barriers cannot be seen as a shortcut to intellectual credibility. The dedicated thought process that goes with the creative procedure should be one of intense reasoning. It is therefore unrealistic to expect the uneducated masses to use the computers prescriptive decision making to create ‘real art’. The birth of Photoshop has enabled everybody to create ‘non-intellectual’ versions of Rauschenberg (and Warhol) – this is not ART.
I am an old dinosaur – I am very confused. What is painting? wp.me/p1GVNQ-3T Leave a comment on the page and set me on the right course
— Peter Bright (@thiswindow)
Contemporary artists have extended the boundaries of painting considerably to include; collage, different materials such as sand, cement, straw or wood for their texture. Juxtaposing images and materials, either as a collage, printing or painting is not simply a decorative … Continue reading ?
The term public art is especially significant within the art world, amongst curators, commissioning bodies and practitioners of public art, to whom it signifies a particular working practice, often with implications of site specificity.
The need to display art in a public place is usually driven by the ego of a local authority or prominent business or public figure within in a community. Placing grandiose statements within a town or city is seen as a way of increasing the importance of a place. There is a misconception that art elevates and rejuvenates an area – this is incorrect. There is more bad public art than there is good – out of proportion statues of footballers for an example.
The public art I like is the simple three-dimensional representation of company logos – signage is great public art.
Image above – Puerto Calero – Lanzarote
I have no idea what the sculpture placed in the entrance to Puerto Calero marina is all about (I don’t really need to) I love the way it simply sits there and is being obscured by the trees.
This image was taken using a Pentax P30 SLR film camera. The film used was Fujicolor C200, a budget-priced film (expire date April 2014) processed by Jessops in Barnstaple. The negatives were scanned using an Ion Pics 2 SD.
The beauty of using 35mm film cameras and film is not knowing what you have taken a picture of straight away – the final image is a process of design, skill and chance. The chance element is the big buzz … Continue reading ?
A self portrait is a representation of an artist, drawn, painted, photographed, or sculpted by the artist. Although self-portraits have been made by artists since the earliest times, it is not until the Early Renaissance in the mid 15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work… Continue reading →
I haven’t used a 35mm camera for years. I recently decided to take my old Pentax K1000 with me to Venice. I took some great black and white shots from our hotel window, looking out over the Grand Canal towards … Continue reading →
The Pentax K1000 (originally marked the Asahi Pentax K1000) is an interchangeable lens,
English: Pentax K1000 SE, Public domain. (Photo credit: Wikipedia)
35 mm film, single-lens reflex (SLR) camera, manufactured by Asahi Optical Co., Ltd. from 1976 to 1997, originally in Japan. It uses a horizontal travel, rubberized silk cloth focal plane shutter with a speed range of 1/1000 second to 1 second, along with Bulb and a flash X-sync of 1/60 second. It is 91.4 millimetres tall, 143 mm wide, and 48 mm deep, and
weighs 620 grams. The body was finished in black leather with chrome trim only, although early production Pentax K1000 SE bodies had brown leather with chrome trim.
It's a painting by Paul Gauguin which hangs in the National Gallery of Scotland. (Photo credit: Wikipedia)
This is one of those paintings I needed to see – it was an important turning point in art history. The bold use of colour was deep rooted and part of the bedrock of the Synthetist style of modern art – an extension of the pioneering vision of other artist including Emile Bernard.
Vision after the Sermon (Jacob Wrestling with the Angel) is an oil painting by French artist Paul Gauguin in 1888. It is now in the National Gallery of Scotland, Edinburgh. It depicts a scene from The Bible, where Jacob wrestles an angel. A vision or hallucination that the Breton women experience after a sermon in church. Painted in Pont-Aven, Brittany, France, the inherent spiritality of subjects in this painting, the influence of the cloisonnist style, all point towards a great painting and a break through in 19 century art.