Aquetin carried out an experiment studying the light passing through the colored panes of glass in his veranda. Bernard wrote and commented on this experiment, ‘Aquetin observed the light streaming through the coloured panes of a glazed door and noticed …Continue reading →
It is fashionable to use vintage feel photographs in posts, on Facebook and on the web.
The rise of Instagram, a free photo sharing program that was launched in October 2010 is the best example of this ‘look back’ at analogue photography from the 20th century. This service allows users to take a photo and apply a digital retro filter to it and then share it on most social networking services. The distinctive retro feature of this app is that it converts photos, which in contemporary formats are rectangle, to a square shape, like Kodak Instamatic and Polaroid images of the 70’s. The most common aspect ratios used in still camera photography, are 4:3, 3:2 (more recently in consumer cameras 16:9 is being used). Other used aspect ratios include 5:3, 5:4, and 1:1 which produces the square format. Most mobile devices have a 4:3 aspect ratio.
Why not use the real thing? – Still life images – Pentax Spotmatic
Here are some photographs taken with a vintage Pentax camera that was purchased of ebay on the 15th July 2012. The Pentax Spotmatic takes M42 screw-thread lenses and was introduced by Asahi in 1964 – it was the first SLR camera to sell well with a through-the-lens (TTL) exposure metering system. The light meter is activated by pushing a small switch (which is on the left side of the lens housing) upwards. To see more visit this gallery which contains 4 photographs
This was a really good find being considerably clean and worked straight away with a new battery. All the shutter speeds work correctly, the self timer works and the viewfinder is clear. The photographs above were taken using an out of date (March 2000) Agfacolor HDC 200 35mm film.
Morgue Gallery are pleased to announce that their new online store will soon be up for preview – it will be easier to navigate and browse than our previous one. They are looking for artists to submit their work … Continue reading →
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The problems of fragmentation and confusion that exist within more traditional art practices, such as painting and sculpture (in the broadest possible milieu) are mirrored innew art practices. Within these technological and new media categories, diverse concepts and imagery has been lumped together to form a hodgepodge of non-related methodologies and artworks.
What is this direction?
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From the blog of Peter Bright
I’m not sure why I have painted this image but…
We were given a potted pepper plant and I have loved watching the peppers grow, changing colour from green to red. I took loads of photos of it but decided to see if I could paint it in oils. I have done three versions of the same plant, two on board and one on canvas – the image above is the first sketch.
An oil sketch or oil study is an artwork made using oil paints, abbreviated in handling and looser than a ‘finished painting’. Originally these were created as preparatory studies or modelli, to gain approval for the design of a larger commissioned painting. They were also used as designs (working drawings) for specialists in other media, such as printmaking or textiles. The concept of a free-flowing painting became acceptable as an independent (finished) work, with no thought of it needing to be ‘finished’.
Sometimes you just have to get back to basics and do a simple still life – returning back to the basic skills of painting a real subject is an interesting exercise – even if not very rewarding.
Sketching: Other common tools for making marks include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, markers, styluses…
It could be argued that photocopying machines and printers can create sketches.
The photograph above was taken with my Pentax K1000 35mm camera.
Artist oil paints (Photo credit: 35mm_photographs)